The magazine of the art-form of the photo-essay
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Stephen Fry. British actor, writer and film & documentary maker
March 2015 back issue
Norman Seeff
To commission Norman or to request prints of his work: studio@normanseeff.com
After graduating with honors in science and art, Norman Seeff qualified as a medical
doctor and for three years worked in emergency medicine in Soweto, South Africa
focusing on the management of traumatic shock. Wishing to explore his passion for
creative expression in all its forms, he relocated to New York in 1968 and switched
careers from science to the arts.
Seeff established himself as a successful ‘rock’ photographer and designer of album art
and in 1971, he was offered the position of Creative Director at United Artists Records in
Los Angeles. His innovative approach to collaborative art-direction resulted in multiple
Grammy nominations for graphic design. Two years later, Seeff went freelance and
opened a studio on the Sunset Strip.
Ulla Lohmann
To commission Ulla or to request prints of her work: www.ullalohmann.com
Photojournalist, Documentary Film Maker, TV presenter works regularly for National
Geographic, GEO, Discovery, BBC. See her full CV here
Ingetje Tadros
To commission Ingetje or to request prints of her work: www.ingetjetadros.com
Renowned photographer and traveler Ingetje Tadros began a global photographic sojourn
at seventeen. Leaving behind her small hometown in the Netherlands, she ambitiously
set out to travel the planet. Over the course of 35 years of regular travel, she has visited
more than 45 countries across six continents, all the while capturing striking images of the
world's tribal people, and of lives and places that exist in relative obscurity. Her photography
offers the viewer genuine moments of humanity and stunning expressive form.
Whether she is photographing people in a market in a village in India, or during a festival
in Papua New Guinea, Ingetje is always fully engaged with the people she encounters.
The viewer never has the feeling she is pickpocketing people's private sacred moments to
enthrall us with mere cultural novelty. Her photographs neither intend to shock nor illicit
sympathy; therefore, we can visually engage with Tadros' subjects without the distortions
imposed by a disparaging fog of pity. Through her great skill and sensitivity, she enhances
our perceptions and engages us with the unfamiliar, enabling us to cast off our engrained,
divisive tendencies - the formidable mental barriers that alienate "us" (the urban
Juan Teixeira
To commission Juan or to request prints of his work: www.juanteixeira.com
Juan Teixeira is a documentary photographer based in Galiza (Spain). He studied
Advertising, but soon realized that this was not his place. Through a series of trips to
South America and Southeast Asia, he noted that photography was a way to interact
and explore the world in a very personal way, like a spectator who tries to understand
what is happening around them. Since then, he has focused on trying to understand
the world around him, focusing on people and their relationships with other people,
society, nature and the time and place that each will live.
He currently heads the company ‘Ese Instante’ which combines with the realization of
social reports, collaborations with media and personal travels.
Adriane Ohanesian
To commission Adriane or to request prints of her work: www.adrianeohanesian.com
I am an independent American freelance documentary photographer and photojournalist
based in Nairobi, Kenya. In 2008, I received my B.A. in Cultural Anthropology and
Conflict Resolution from Colorado College, and graduated from the International Center of
Photography’s photojournalism and documentary photography program in 2010. Upon
the completion of my degree I moved to Khartoum, Sudan and have been photographing
mainly in Africa ever since. Beginning in 2012, I worked in South Sudan covering the news
and photographing special reports for Reuters News Agency, focusing on healthcare,
Sudanese refugees living in South Sudan, the fighting in the Nuba Mountains of South
Kordofan, and the conflict over oil. My experiences living and photographing in Sudan and
South Sudan have resulted in a commitment to documenting communities that are at war
with their own governments. I am interested not only in the military aspects of these
conflicts, but also the impact that these conflicts have on the civilian populations. Since
relocating to Kenya I have continued my work in South Sudan and have recently become
interested in the fight against al Shabaab in Somalia.
David James
Born in Birmingham, England, David James moved to a village in Hertfordshire, north of
London, aged 4. An MGM film crew were shooting outside the village school and David
(age 9) knew at that moment that he wanted to be a photographer in the film industry. At
age 16 he joined the Stills Department at MGM Studios (UK) working in the lab as an
assistant to many different photographers. The head portrait photographer, Dave Boulton,
became his mentor and arranged for David to go out to Israel/Cyprus as a printer on
Preminger directed Exodus. This lead to other jobs and once again it was his mentor,
Dave Boulton ,who gave him his break into shooting stills by getting him his first set job,
on a Ken Annakin comedy. More films followed quickly including Bunny Lake Is Missing,
reuniting David with director Otto Preminger….of whom he was initially terrified; the unit
publicist sent the first set of David's stills to Preminger and the director promptly tore
them up. A friend of Preminger's on the set persuaded David to resubmit the same photos
in a much larger format, leading the director to put his arm around David and tell him,
"these stills will be noticed….it is all about showmanship."
Since that moment David has chosen a limited collection of his personal stills "Selects"
Damian Bird
To commission him or to request prints of his work: www.damianbirdphotography.com
Damian Bird, is a photographer and photojournalist with many years of experience,
working in war zones and trouble spots around the globe. He was educated in
Photography at the Surrey College of Art and Design and at the London College of
Printing where he studied for a post graduate degree in Photojournalism.
In 2011 he founded Life Force magazine with his business partner and wife of ten years,
Alice. As well as Editing Life Force magazine, he is currently engaged in photographing
a series of photo-essays on English culture and has recently returned to Afghanistan
(Aug 2013).
He continues to have his work published in national and international newspapers and
magazines including The Times, the Telegraph, the Express, the Observer, GQ, Esquire,
Dazed & Confused,The Face, Country Life and Geographical magazine.
Roxanne Lowit
To commission Roxanne or to request prints of her work: www.roxannelowit.com
For over three decades, the unique lens of Roxanne Lowit has captured the faces,
personalities, and spaces of modern culture. To review her incomparable work is to
step behind the proverbial velvet rope. To see her images is to witness the creation and
the celebration of fashion and art and theater and film, pleasure and joy and aesthetic
delight.
A shooting star, Lowit has photographed thousands of luminaries, including Andy
Warhol, Salvador Dali, Kate Moss, Yves Saint-Laurent, Johnny Depp, Madonna, and
George Clooney. To witness her work is not only to see these famous faces closeup
but also to peer at their beauty, their vulnerability and their humanity, all captured
by a passionate storyteller whose greatest tool is her humble, empathetic presence.
More than a photographer, she is a true artist, a modern-day successor to Manet and
Toulouse-Lautrec. Just as they colorfully chronicled the whirl of Parisian life in the 19th
century on canvas, she has captured the creative classes of the last three decades in
her photographs, offering unprecedented visual entrée to the beau monde of New York,
Paris, and Milan.
Sean Hawkey
To commission Sean or to request prints of his work: www.hawkey.co.uk
My name is Sean Hawkey and I'm a photographer and journalist. I’ve worked in 50+
countries, mainly on issues of social interest stories, development, humanitarian crises,
solidarity. My work has been featured in the New York Times, BBC, The Guardian, Morning
Star, Huffington Post, The Telegraph, Science Magazine, the Journal of the Royal
Photographic Society and has been used by 200+ organisations including Fairtrade
networks in 30 countries, ACT Alliance and its member organisations around the world,
DanWatch, the Centre for Journalism Ethics, World Council of Churches, World Health
Organisation, World Bank, UNESCO, UNISDR, International Dalit Solidarity Network,
Greenpeace, Climate Action Network and the RMT trade union. My photographs have
been exhibited as joint and solo exhibitions in Mexico, Ireland, France, Germany, Austria,
UK and Spain. Before freelance photography I worked in international aid, I taught
architecture and I ran communications for global NGOs. I'm based in the UK and I'm
working freelance.
Photo: Emily Hope, courtesy of
Twin magazine.
Rachel Molina
To commission Rachel or to request prints of her work: www.rachelmolina.co.uk
Born in London in 1980, Rachel Molina was educated at a Steiner school and at the
internationally renowned BRIT school where she majored in theatre production. However
an earlier introduction to photography had sown the seeds of a greater passion, and she
moved on to study photojournalism at Tower Hamlets College before furthering her
photographic studies at the highly acclaimed London College of Printing (now the LCC).
Rachel has travelled extensively in Europe, North America and Australasia. These
experiences are used as the basis of her photographic style creating work that resonates
with the captured energy and vibrancy of the subject.
He lives with his wife and four children in Devon, England.
Catherine Karnow
To commission her or to request prints of her work: www.thephotosociety.org
Born and raised in Hong Kong, the daughter of an American journalist, San Francisco-
based photographer Catherine Karnow shoots for National Geographic, National
Geographic Traveler, Smithsonian, French & German GEO and other international
publications. She has also participated in several Day in the Life series, Passage to
Vietnam, and Women in the Material World. Catherine has covered Australian
Aborigines; Bombay film stars; victims of Agent Orange in Vietnam; Russian "Old
Believers" in Alaska; Greenwich, Connecticut high society; and an Albanian farm family.
In 1994, she was the only non-Vietnamese photo-journalist to accompany General Giap
on his historic first return to the forest encampment in the northern Vietnam highlands
from which he plotted the battle of Dien Bien Phu. She also gained unprecedented
access to Prince Charles for her 2006 National Geographic feature, "Not Your Typical
Radical."
In his evolution as a photographer of public personalities, Seeff realized that to accomplish the vitality and authenticity he
was looking for in his images required nothing short of a paradigm shift in his interaction with artists and innovators.
His sessions became a nurturing and challenging environment for a co-creative relationship with artists and evolved into a
laboratory for the exploration of the fundamental dynamics of creativity, from the ‘inside’ out. Responding to the emotional
authenticity and depth of the creative communication between himself and artists, Seeff brought a film crew into a session
for the first time in 1975. This session was with Ike and Tina Turner.
To date Seeff has documented over 500 sessions with artists of many disciplines including musicians, actors, writers,
directors, actors, scientists, entrepreneurs, politicians, etc. including renowned creators and innovators such as Ray
Charles, Joni Mitchell, Steve Jobs, Steve Martin, John Huston, The Rolling Stones, Johnny Cash, Martin Scorsese, Billy
Wilder, Bob Fosse, will.i.am, Tina Turner, Alicia Keys, Sir Francis Crick, Nobel winners and hundreds of others. He has
worked in creative collaborations with institutions such as The California Institute of Technology, The Experience Museum,
Rocketdyne, The Jet Propulsion Lab, Apple, Glaxo Wellcome, Paramount TV, Motorola, General Motors, Mitsubishi, Toyota,
TEDx, The Annenberg Space for Photography, Lexus, YPO, GM, Nissan, The Red Bull Music Academy etc.
Seeff’s first book “Hot Shots”, won the New York Directors Club award for best photographic book of the year and his second
book, “Sessions!” has become a collector’s item.
In the ‘90s Seeff shifted creative disciplines to directing television commercials for major international brands, winning
multiple awards including a Belding for his first national campaign. In 2000 Seeff returned to his sessions, but now focusing
on long-form, multimedia projects exploring the dynamics of creativity. His first feature documentary, “Triumph of the Dream”,
explores the creative process of the NASA scientists and engineers of the Jet Propulsion Laboratory responsible for landing
two rovers on Mars in 2004. Many of the team responsible for the Spirit and Opportunity rovers were also responsible for the
Curiosity rover which landed on Mars in October, 2012.
Seeff views himself as a conduit for the voices of the hundreds of creative and innovative individuals working at the higher
reaches of human potential with whom he has interacted over many decades. His groundbreaking content is currently being
prepared for global release via multiple interactive digital platforms.
“I have spent decades working with hundreds of the world’s consummate innovators, photographing and filming them in the
act of creation. They know that they are the creators of their own works and that their creations are an expression of self
determined choice.
The truly innovative creators have always worked in ways that are radically divergent from consensus assumptions and
beliefs about the fundamental nature of how we create. Innovative creativity is not a linear process. It occurs in the multi-
dimensional minds outside of ordinary consciousness and ‘down-steps’ into awareness in quantum leaps of revelation. All
creation begins in the mind as a dream that is birthed in the core dimension and resource of imagination.
What I have discovered is that we all have access to the same inner resources of creation. The great creators do not have
some magic bullet. They know how to access those resources and utilize them. Knowing this, we can empower our own
creativity, to design and craft a future in response to our visions and dreams.”
Thomas Schirmbock, Director of the Zephyr Space for Photography at the REM Museum in Mannheim waited patiently for
almost 10 years for Seeff to agree to his first retrospective (September 2014-March 2015). Here is how Schirmbock
describes his work, "The music industry used the record cover to give a visual representation of the sound. Norman Seeff is
one of the masters of this art form, both as a designer and photographer. His ideas helped form the visual experiences of a
whole generation. They were never aggressive, never broke taboos, but expanded the visual space of the record to include
the viewer. The artists are infinitely distant from us, yet Seeff has the gift of showing them as people like us. That sounds so
easy, yet no one else has achieved this as successfully as Seeff.
Perhaps it is his interest in human nature, the quality which enabled him to work in the largest African hospital as a medical
student in South Africa, which later also gave him the ability to transform his public encounters with people into intimate
meetings in front of the camera. The people who look out of his pictures at us often gaze with alert, relaxed eyes. This alert
presence has its origin in Norman Seeff's talent, developed over the years, for removing his subjects' shyness and then
releasing them emotionally."
This selection of Norman Seeff's photography is from NORMAN SEEFF: THE LOOK OF SOUND the catalogue for his first
retrospective and is available at: Amazon
Joseph Rodriguez
To commission Joseph or to request prints of his work: josephrodriguezphotography
Joseph Rodriguez was born and raised in Brooklyn, New York. He began studying
photography at the School of Visual Arts and went on to receive an Associate of Applied
Science at New York City Technical College. He worked in the graphic arts industry before
deciding to pursue photography further. In 1985 he graduated with a Photojournalism and
Documentary Diploma from the International Center of Photography in New York. He went
on to work for Black Star photo agency, and print and online news organizations like
National Geographic, The New York Times Magazine, Mother Jones, Newsweek, Esquire,
Stern, and New America Media. He has received awards and grants from the USC
Annenberg Institute for Justice and Journalism, the Open Society Institute Justice Media
Fellowship and Katrina Media Fellowship, National Endowment for the Arts, the
Rockefeller Foundation, Mother Jones International Fund for Documentary Photography,
and the Alicia Patterson Fellowship Fund for Investigative Journalism. He has been
awarded Pictures of the Year by the National Press Photographers Association and the
University of Missouri, in 1990, 1992, 1996 and 2002. He is the author of, Spanish
Harlem, part of the “American Scene” series, by the National Museum of American Art/ D.A.P., as well as East Side Stories:
Gang Life in East Los Angeles, Juvenile, Flesh Life Sex in Mexico City, and Still Here: Stories After Katrina. Recent
exhibitions include the Institute for Public Knowledge, New York, NY; Moving Walls, Open Society, New York, NY; and
Cultural Memory Matters, 601 Art Space, New York, NY.
on every project and always presents them in large format prints to the filmmakers. David went on to cover movies such as
Women In Love, Fiddler on the Roof, his first war movie was as aerial stills photographer on Battle of Britain.
The genres of Musicals and War are his favourites and also have resulted in some of his most well-known work including
Dogs of War, Saving Private Ryan, Schindler's List, and the TV mini-series Band of Brothers and The Pacific. Saving
Private Ryan was an opportunity for David to honour the work of his "hero", Robert Capa and to virtually become a war
photographer..without risking his life. The latter 4 films form part of his 10 collaborations with Steven Spielberg that began
with Schindler's List and continues later this year with Spielberg's next project Lincoln. Musicals include Jesus Christ
Superstar, Chicago, Shall We Dance, Hairspray and Nine, Dreamgirls in which he had his one and only credited acting role
as a photographer in Rock of Ages teaming him up again with Tom Cruise. Most of the films that David worked on in the UK
were American productions, and when the British industry contracted and diminished in the 1980s, he decided to relocate
with his wife and 2 daughters, to Southern California. Before leaving the UK David had an assignment for Special
Photography on Ridley Scotts Legend, his first opportunity to work with Tom Cruise.
Since moving Stateside, David has worked with Tom on 6 films including MI-Ghost Protocol. Moving to USA also coincided
with huge changes in still photography and he enthusiastically embraced the challenges of digital photography while
continuing to study the ever evolving and exciting world of movie stills. David has covered many TV mini-series and TV
movies, also for the past 2 years has had the privilege of shooting the Academy Awards behind the scenes, with exclusive
access to the green room. There are more than a dozen books that feature David's stills photography starting with Jesus
Christ Superstar, including Memoirs of a Geisha, Last Samurai, Superman Returns and the most recent- also the one of
which he is most proud - the book that he both wrote and photographed for Indiana Jones and the Kingdom of the Crystal
Skull. David's work has featured in several international exhibitions and he has won many awards and accolades, including
the 2006 ICG/Publicists Guild Award for Excellence in Still Photography and the SOC Lifetime Achievement Award. His
stills have been published in magazines and newspapers around the globe and are included in the archives of the
Academy's Margaret Herrick Library, and the Professional Photographers of America. A source of great pride is that both
his daughters have followed him and pursued careers in the film industry. (Deya is a senior publicist at Warner Bros, Chia
works for the SVP of Physical Production at Paramount) both have worked with and on projects involving their father as
the stills photographer.David's other enduring passion, apart from his family and photography, is fly-fishing; perhaps 2012
will bring the trifecta of a fishing trip with his family and his beloved Leica camera.
A pioneer, Lowit has always done things differently. A native New Yorker, she was originally a textile designer. But she found
her true calling crafting imagery of a different kind, and then created an entirely new genre of photography by taking her
camera where nobody else wanted to go: backstage at fashion shows. While everyone else was fixated on the runway, she
captured the real action was where the rest of the photographers weren’t looking. Her epiphany typifies her keen eye for new
possibilities—and it transformed fashion photography forever. But she has gone even further, elevating her medium into fine
art.
Lowit’s work has been exhibited in many of the world’s major museums, including the Metropolitan Museum of Art; the
Whitney Museum of American Art; the Victoria & Albert Museum; the Warhol Museum; and the Museum of Modern Art in
Moscow. Her photographs are part of the permanent collection of Japan’s prestigious Kobe Fashion
Museum. She has also been featured in one-woman shows in New York, Paris, Berlin, Amsterdam, and London, as well as
at group exhibitions at the Gagosian Gallery, Colette, and Art Basel Miami.
Three books have collected Lowit’s indelible images. Moments (1990) and People (2001) are visual time capsules of
international nightlife. Backstage Dior (2009), featuring a foreword by John Galliano, lasers in on the inimitable creativity and
incomparable energy of that storied house.
Lowit’s photography has been a longtime mainstay in the American, Italian, French, and German editions of Vogue, as well
as in Vanity Fair , Tatler , GQ, W, and numerous other publications. Her groundbreaking advertising work has included
memorable campaigns for major brands from a host of industries, including Acura, Armani, Coca-Cola, DeBeers, Dior, Land
Rover, Moët & Chandon, and Vivienne Westwood.
Klaus Pichler
To commission Klaus or to request prints of his work: www.kpic.at
Klaus Pichler was born 1977 and lives in Vienna, Austria. After graduating from university
in 2005 he decided to follow his heart and quit his profession as a landscape architect to
become a full time photographer. He still has had no photographic education at all and he
likes it this way. He creates free photo projects which are widely published, exhibited
internationally and partially published as books. The topics that interest him in his
photographic work are both the hidden aspects of everyday life in its varying forms, as
well as social groups with their own codes and rules. He likes to get a view behind the
scenes and to work on his projects with a conceptual approach.
economically-advantaged) from "them" (indigenous people and the world's chronically poor and vulnerable).
In March of 2011, Ingetje published her first book, Tribal Ethiopia - a testament of her passion for documenting tribal people
and championing issues of social justice. The book's 286 photos document the indigenous tribes of the Omo River Valley
and their plight as people threatened with the of loss of their ancestral homeland and economic livelihood to modern
development; a proposed massive hydroelectric plant project would eventually flood their valley.Over the course of her
career she has been a volunteer photographer for the Amsterdam World Museum and a travel consultant for Nouvelles
Frontieres.
Ingetje currently freelances in Australia. She is also a prodigious contributor to world-renowned Getty Images (Creative and
Editorial), AuroraPhotos and is a stringer for Demotix. Recently she signed a contract as Free Lance photographer with
The Wideangle. Over the last years her work was (amongst others) awarded by Px3 Prix de la photografie Paris, Australian
Geographic and the International Loupe Awards. She currently lives in Broome, Western Australia where she and her
Egyptian-born husband own and run a Middle Eastern restaurant that also serves as an informal gallery for her work. She
travels as much as she can in between running a busy restaurant.
Rachel lives in South East London with her husband and two children.
Aman Chotani
To commission Aman or to request prints of his work: www.amanchotani.com
Aman Chotani, A professional travel photographer who has learned the art from Nat Geo
Photographer Louis Kleynhans in Africa. Selected in the Nat Geo Covershot 2014 Tv
Show, his work has found acclaim across major exhibitions and brands. His motto - travel
to beautiful, rusty, adventurous locations to capture untold stories, unseen traditions and
unprecedented experiences. His fresh, young and undying spirit and zeal to be best in
the field motivates him to be the best in the field.
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