 
 
 
   
 
 
   
 
  
  
  
  
  
 
  The magazine of the art-form of the photo-essay
  “A free, really high quality photo-essay magazine.  Fabulous!”
  Stephen Fry. British actor, writer and film & documentary maker
 
 
 
 
  
 
  Sept 2015 back issue
 
  
  
  
 
  by Lukas Birk & Sean Foley
 
 
  Afghanistan is one of the last places on earth where photographers use a 
  simple type of instant camera called the kamra-e-faoree as a way of making
  a living.  The hand-made wooden camera is both camera and darkroom in 
  one and generations of Afghans have had their portraits taken with it, usually 
  for identity photographs. At one stage it was even outlawed when former 
  rulers of Afghanistan, the Taliban, banned photography, forcing 
  photographers to hide or destroy their tools.
  The Afghan Box Camera is a simple box-shaped wooden camera traditionally 
  used by photographers working from a street pitch, who produce, by-and-
  large, instant identity portraits for their clients. In Dari the camera is known as 
  kamra-e-faoree which means 'instant camera'. It's also less frequently called 
  kamra-e-faoree-e-chobi (instant wooden camera) or kamra-e-chobi (wooden 
  camera). In Pashtu the camera is sometimes referred to as da lastunri kamra 
  (sleeve camera) because of the sleeve on the side of the camera that 
  photographers insert their arm into.
  The camera is completely manual – it does not use electricity - and the 
  photographic process is analogue: using chemicals and paper; there is no 
  film. Inside the camera the paper prints are developed with the aid of an eye-
  hole on top of the camera allowing the photographer to follow the 
 
 
   
 
 
  development process, and by touch.
  The aim of the Afghan Box Camera Project is to provide a record of the kamra-e-faoree. 
  We have archived and recorded the last box camera photographers’ work process alongside the comprehensive 
  photographic documentation we have created videos explaining how to use and how to build box cameras and other 
  techniques practised by the photographers. We have also created illustrated manuals on how to build a box camera. 
  The step by step handbook has been used by hundreds of enthusiasts around the world as can be seen on our 
  Facebook page.  
  In 2011 Muhammad Usman, one of the old school photographers in Kabul, told us “Come back with a book!” His 
  sentiment was echoed by every one of the Afghan photographers we met who shared a dream to have their craft 
  remembered. Afghan Box Camera, the book, published in the winter of 2013, is the realisation of that dream. 
  Combining images from the 1950s to the present-day it illustrates the techniques and artistry of a previously untold 
  and visually enthralling photographic culture, preserving forever the story of the kamra-e-faoree.
  
  
 
  A box camera photograph. Kabul, 2012.
 
 
  
 
  Abdul Samad with his box camera. Kabul 1950s.
 
  
 
  Baba Sher, said to be the oldest photographer in Kabul. 2011.
 
  
 
  Box camera photo by Ali Ahmad. Herat. Post-2001.
 
  
 
  Box camera photo by Muhammad Ishaq. Jalalabad.
 
  
 
  Focusing plate inside the box camera.
 
  
 
  Box camera photo by Muhammad Ishaq. Jalalabad.
 
  
 
  Box camera photo by Zahir Jan. Herat.
 
  
 
  Ullah taking a family photograph. Peshawar, 2012.
 
  
 
  Box camera photo from the Hekmatullah collection. Herat.
 
  
 
  Mirzaman checking the development of the positive. Kabul, 2012.
 
  
 
  Izzat Ullah mixing chemicals, Peshawar 2012.
 
  
 
  Izzat Ullah setting up his camera. Peshawar, 2012.
 
  
 
  Roh Ullah, a box camera photographer with son. Kabul, 2011.
 
  
 
  Rohullah holding a copied photograph he made with his box camera. The original was a colour digital portrait. Kabul 
  2011.
 
  
 
  Tinted negative, Hekmatullah collection Herat.
 
  
 
  Mia Muhmmad taking a positive from the negative, Kabul 2011.
 
 
   
 
 
 
  
 
  